Professional Video Camera
Sunday, July 11th, 2010![]() |
Ravelli AVTP Professional 75mm Video Camera Tripod with Fluid Drag Head Sale Price: $129.99 Average Rating: ![]() |
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The Ravelli AVTP is a complete Professional 75mm Video Tripod including legs, mid-level spreader, dual fluid head and carry bag. The legs are a 3-Segment Interlocking Crutch-Type design with a mid-level spreader providing oustanding stability for Video Cameras up to 27lbs... |
Professional Video Camera
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![]() PANASONIC PROFESSIONAL QUALITY VHS VIDEO CAMERA W PLAYE US $15.00
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![]() Professional Video Camcorder Camera ★ Portable Tripod ★ US $1.53
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![]() Reis professional FLUID HEAD for film video cameras US $12.50
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![]() Professional Video Camera cable 17FT 7 PIN US $19.99
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![]() Slik 88N Professional Camera Video Tripod Case N R US $36.00
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![]() Panasonic AG DVC 200 Professional Digital Video Camera US $1,500.00
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![]() Sony CCD V5000 Video 8 Hi8 Professional Camera Pro US $202.50
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![]() Panasonic AG 456UP Professional Pro Line Video Camera US $5.27
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![]() Professional Video Camera Video Cassette Recorder US $35.00
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![]() panasonic professional hd digital 5000 video camera US $51.00
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![]() JVC KY 15 Dockable Professional Video Camera w BR S410U US $14.99
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![]() Canon GL1 3CCD Professional Video Camera Sold As Is US $.99
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![]() LEBO PROFESSIONAL VIDEO CAMERA TRIPOD US $24.99
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![]() Professional Video Camera Shoulder Support Stabiliser US $235.28
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![]() PROFESSIONAL DIGITAL PHOTO VIDEO 57 CAMERA TRIPOD US $14.99
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![]() PROFESSIONAL VIDEO CAMERA TRIPOD w 3 WAY PAN HEAD MP27 US $99.00
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![]() 150 Watt Professional Video Light for Camcorder Camera US $29.99
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![]() Heavy Duty Professional Camera Video Tripod Dolly WT600 US $45.00
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![]() Professional Video Camera Technique Training BBC US $24.72
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![]() 53 CAMERA TRIPOD video digital heavy duty professional US $19.99
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![]() 57 PROFESSIONAL TRIPOD for CAMERA VIDEO CAMCORDER US $12.99
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![]() Sony DSR 250 Professional Video Camera US $2,000.00
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![]() 300 Watt Professional Video Light for Camcorder Camera US $39.99
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![]() 53 PROFESSIONAL TRIPOD for CAMERA VIDEO CAMCORDER US $18.95
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![]() Portable Professional Digital Video Camera Bag US $21.79
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![]() Professional Underwater CCD Video Camera US $242.74
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![]() Professional Underwater Video Camera w Video Recording US $216.20
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![]() PROFESSIONAL Video Camera cable 17FT 10 PIN US $80.00
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![]() STAR D PROFESSIONAL CAMERA VIDEO TRI POD ALUMINUM A US $27.00
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![]() Portable Professional Digital Video Camera Bag 36 343 US $18.29
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![]() Fujinon S12x75BMD D24 Professional Video Camera Lens US $325.00
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![]() New Heavy Duty Professional Camera Video Tripod Dolly US $45.00
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![]() 72 Professional Monopod for Photos Video Cameras US $24.99
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![]() Sony AVC 3260 Professional TV Grade Video Camera MINT US $1.04
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![]() JVC KY 1900CH Professional Color Video Camera US $199.99
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![]() JVC KY 1900CH Professional Color Video Camera US $199.99
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![]() JVC KY 1900CH Professional Color Video Camera US $199.99
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![]() Set 2 Professional Film Video Camera Dolly wheels US $529.99
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![]() PROFESSIONAL TRIPOD FOR CAMERA VIDEO CAMCORDER US $25.00
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![]() MANFROTTO 138 TRIPOD HEAD professional video camera US $99.99
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![]() Vtg PANASONIC COLOR VIDEO CAMERA WV 3060 Professional US $69.99
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![]() AB 3310 AMVONA PROFESSIONAL DIGITAL VIDEO CAMERA BAG US $24.99
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![]() AB 3186A AMVONA PROFESSIONAL DIGITAL VIDEO CAMERA BAG US $24.99
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![]() Professional Helmet CCD Camera Sporting Micro Video Rec US $212.00
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![]() Video Guide Professional 3 CCD Cameras Camcorders VHS US $9.99
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![]() TVP P 10 Professional Studio Video Camera Mount Dolly US $999.00
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![]() Canon L1 Professional Video Camera Manual US $24.95
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![]() 53 PROFESSIONAL TRIPOD for VIDEO SONY CAMERA CAMCORDE US $45.99
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Satisfaction Guaranteed: Purchasing a Video Camera
Finding the right video camera requires a few simple steps. Start by researching the various products available in the marketplace.
If you're unfamiliar with video cameras, doing your homework now can better ensure you'll be satisfied with your final purchase. Many consumers are use to particular brand names, and the quality and features associated with each. If this is your first video camera, you may want to take the plunge and purchase a truly top-of-the-line model, or just get your big toe wet with a less expensive unit. The challenge is in selling yourself that the extra cost, whatever it may be, will be able to generate the results you need to make it all worthwhile.
This research process can be used when making any type of photo purchase. First set the price range. How much are you willing to spend? Determine if you're looking for an amateur or a professional grade camera. Even if you're an amateur, sometimes the pro shops can offer some surprisingly accessible products. Regardless, it's helpful to go to a major photo and video supplier's Web site to check out what's available.
There's one more step to be taken. Locate other folks who had already made purchases and shared their thoughts. User expectation is a big factor in a consumer's experience. For instance, one person may make a negative comment about a feature. However, that feature is irrelevant to your need for that product. Read the good comments and the bad. Then shift through the details for what really matters to you.
Camcorders on Magnik.com offers a wide range of professional brand names and large selection. Additionally, it features feedback from users.
With the products, prices and amateur reviews in hand, take a look at professional reviews - the folks who earn a living as a photographers. The Web site www.camcorderinfo.com is a good resource.
Before, after or as you read consumer reviews, make a list of all the realistic scenarios as to how you plan to use the video camera. Will you use it in low light conditions? Do you care about audio? Does it need to be compact and portable? Will you need to carry it a distance? Will you be able to react to impromptu situations? Does it have a million accessories and how much do they cost? How long does the battery last? Is it complicated to download the contents? How much data can be held on the storage device? Will you need a tripod?
The next thing, to ask yourself is "What are you willing to sacrifice to get the majority of what you want in the price range you desire?" There is no single perfect camera (in an affordable price range of most consumers). Remember that old expression, "you can't be all things to all people." It's called an average camera.
There's a professional photographer who wanted to move into video. His choice for this first-time buy was a JVC video camera. It's a lower end price range professional video camera ($2,000-ish). JVC has a reputation for making some great DVD/CD and stereo equipment leading one to believe that all their products should offer similar performance. The runner up was a highly rated, semi-amateur/professional Sony camera in a mid-range price ($1,200-$1,300). Then there was the highly-rated Panasonic for $900. It was reported that the results for this camera in low light conditions were poor and grainy. All things considered it was still a good camera. Like all video cameras, the built-in audio is considered sub-par. If you plan to digitally add sound that should not be an issue.
So ultimately what was the professional photographer's choice? The photographer opted for the Sony.
Buying cheaper is not always the best option. Being happy with the equipment and using it rather than having it sit in the box makes all the difference.
About the Author
Steve Frazier is a professional copywriter who provides valuable tips and reviews. Her numerous articles bring valuable information about various aspects of the life including travel, electronics, pets and babies. Visit the electronics site he owns to find out more: http://www.magnik.com
Looking For a Semi Professional Video camera?
I am looking for a decent HDV camera, something in the gray area between professional and amateur, and am not sure what to get with so many floating around. I obviously want something with a mic jack and able to switch around lenses and filters. I have a decent budget, but not unlimited. Any opinions?
Nu'uanu has given you some great options, but I cannot say I agree with some of it. The consumer camcorders he listed are great! I couldn't agree more. But I have to disagree with him with professional camcorders. First of all, I would never recommend the Sony FX1 or FX7 as good mid-level options. Don't get me wrong, they produce excellent picture, but are missing many vital features. The most obvious is XLR mic inputs. The FX1 and FX7 do not have them. Sure, Nu'uana has pointed this out, but again, I disagree with his reasoning. First of all, I would never recommend permanently relying on XLR adapters like that made by Beachtek. At $170, they are horribly unreliable. They break within the first year or two, and with a high repair cost (25-30% of the original cost). Save yourself the trouble and if you are going to get a pro camcorder, go all the way and get one with XLR inputs. The Sony FX1 and FFX7 are also missing a 24p mode. 24p., or 24 Progressive Scan is a feature that simulates analog film on a digital camcoder, giving you that artsy look withough having to buy a $500,000 Panavision camera. Second of all, I would never recommend the Sony HVR-A1U. Period. Especially as a Professional camcorder. It can be very appealing for its pro features such as XLR mic inputs and HD. All of that for around $2,000! However, I do not like this camera. My biggest reason for saying this is because it has 1 image sensor, a CMOS sensor. As a 1-chip camcorder, its more of a consumer camcorder on steroids. Many people don't believe me, but 3 image sensors is a defining characteristic of a professional camcorder, whether its CCDs or CMOS. 3 chips gives you MUCH better color saturation, and color reproduction. Other than that, Nu'uana's answer is extremely credible
and I don't mean to spite.
My advise of what to look for in a mid level- pro camcorder is this (not arranged in any particular order:
1) true 1920 x 1080 HD resolution. (not like many consumer HD-wannabe camcorders)
2) 3 image sensors (3CCD or 3 CMOS) and at leas 1/3" chips, but the bigger the better.
3) dual XLR inputs
4)24 Progressive Scan (24p)
5) Manual Controls (Focus, Aperture, White Balance, Shutter speed). That is pretty much standard on pro camcorders
that's about all I can think of. I highly recommend you to look at the Canon XH-A1 (if $3,300 is in your budget). It is an excellent camera, inexpensive for a prosumer camcorder, yet is packed with features that make it better than most cameras thousands of dollars more. It is probably the most popular camera among pros and consumers alike. If you want something with a little bit more of a professional feel (not that the XH-A1 isn't professional; it is extremely pro!) I would recommend the JVC GY-HD110U or the step up GY-HD200U (at $4,000 and $5,700 respectively). They have one advantage that most sub-$10,000 cameras don't; they have an interchangeable lens mount, meaning you can use different lenses. This is a huge advantage for those you want more flexibility when it comes to zoom and depth of field. It also may have the best picture quality of any HDV camcorder. Many people are a bit skeptical about JVC cameras and I was too, but this camera is extremely reliable, and does not disappoint.
My final recommendation is a camera that many do not know of. It is called the RED Scarlet. However, it is not available yet; it is to be released in early 2009. It was made by a relatively new company to the camera world, Oakley, aka the sunglass makers. However, I wouldn't underestimate them. Their first release the RED One was a $17,500 camera that rivaled Sonys that cost a quarter to half a million $$!!! The RED One produced footage at twice the resolution of HD!!!!! Thats 4K shooting. Now, regarding the RED Scarlet, it is not nearly the price of the RED One, but has some of its amazing features. It is expected to be sold for under $3,000; it is designed specifically for consumer and indie filmmaker's use, and it shoots in 3K! That's still considerably better than your typical HD 1080p (1920 x 1080) camcorder. I can't guarantee that the RED Scarlet will be a revolutionary camera, as RED is relatively untested, but it is definately something worth looking into.





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